Art

My work as an interdisciplinary visual artist centers on raw materials — film, glass, handwritten text, and the earth itself. Working directly with my hands, my practice lives at the intersection of material, process, and memory, drawn to the ways the body's curves, folds, and textures echo the forms of the land — flesh and terrain rendered as a single, elemental surface.

I reappropriate paper and books as printing surfaces, transforming found materials into sites of confrontation where the body becomes legible as landscape. This is where I locate my themes: uterine distortion, the absence and presence of femininity, the architecture of feminism and sexuality — excavating women's grief and pain and reshaping it into empowerment.

In my recent body of work, Burial & (Re)birth, I layer handwritten text onto desert film, tracing transformation, impermanence, and what we leave behind in the earth. Every medium is approached through experimentation — glass, paper, skin, sand — building raw, cohesive visual worlds that bridge the visceral and the contemplative.